
As a “comedian” (which, I realize, is as gross as it sounds on paper as it does verbally), I have very specific taste when devoting my patronage to a comedian or - better yet - “distant protege.” To me, figures like David Cross, Michael Showalter, Dave Hill, and Patton Oswalt are the ones to watch: experimental, progressive mastheads of the alternative-comedy scene whose respective abilities to play with the medium has allowed for slow-to-build sea changes in domestic humor at large (see Flight of the Conchords, Adult Swim, and The Sarah Silverman Show).
And yet, poor taste prevails. Nevertheless, despite the continued presence of talentless blowhards like Carlos Mencia, Dane Cook, and anybody associated with Last Comic Standing (Ralphie May is totes fat, LOL!), there remains a prominent gap between the alternative and the mainstream into which more offbeat comedians fit. And more often than not, these performers have the ability to still attract a wide audience which can, in fact, lead to a special on premium cable (which is nothing to scoff at, either). Whether you find them funny or not, you are very likely to recognize names like Jeffrey Ross (snarky humor), Lisa Lampanelli (bawdy humor), and Paula Poundstone (cat humor).
When it comes to gay comics or “gay comedy,” I usually have to turn away. Much like material based on race or religion, “gay humor” is - in my opinion - boring and cheap. (You are a man who dates men, and sometimes the dates don’t work out well? What the WHAT?!) Hearing a gay comic give their takes on the unmistakably predictable attributes that affect daily life as a result of sexual preference become just as predictable as the hetero comics who sputter similar garbage, except that the gay comic usually feels compelled to pander to the audience, throwing “sassies” about blow jobs, meth binges, and Jake Gyllenhaal into the curriculum vitae.
Now, however, we’ve gone one step further. Gay comedy has become a tool of the outsider, used, in fact, to build a gay niche. Read More!